Fonte: Journal of Tourism & Development; v. 2, n. 21/22 (2014); 279-284
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Resumo: As an artistic and cultural phenomenon, Dong Ka Lau (Dong Chorus) ontology and its associated social, cultural and natural environment have begun to concern many experts and scholars at home and abroad, as well as local governments. On the basis of a field survey, this paper makes an investigation as to whether Dong Ka Lau will continue to manifest Dong minority people’s aesthetic consciousness and pursuits amid today’s rapidly developing local tourism economy. In addition, the influence on contemporary young people is also of great concern. The study found that commercial performance of Dong Ka Lau heritage in some Dong villages has lost its original cultural significance, while in other villages it has been a vital and inspirational tourism product, of which forms and cultural essence can still exist over a prolonged period of time. This research asserts that cultural ecological self-sustainability and identity can be strengthened and nourished by both external regulations on cultural displays as well as the endogenous power of ethnic minority villages.
